FE 16-25mm F2.8 G

Full Specifications & Features

SEL1625G

Lens Specifications

Mount
Sony E-mount
Format
35mm full frame
Focal-Length (mm)
16-25
Focal Length (35mm) (APS-C)
24-37.5
Lens Groups / Elements
13-16
Angle of View (35mm)
107゚-82゚
Angle of View (APS-C)
83゚-59゚
Maximum aperture (F)
2.8
Minimum Aperture (F)
22
Aperture Blades
11
Circular Aperture
Yes
Minimum Focus Distance
0.18(W)-0.24(T)(AF), 0.17(W)-0.22(T)(MF) m (0.59(W)-0.79(T)(AF), 0.56(W)-0.73(T)(MF) ft)
Maximum Magnification ratio (x)
0.20(AF), 0.23(MF)
Filter Diameter (mm)
67
Image stabilization (SteadyShot)
- (body-integrated)
Zoom system
Manual
Teleconverter compatibility (x1.4)
-
Teleconverter compatibility (x2.0)
-
Hood Type
Petal shape, bayonet type

Size & Weight

Dimensions (D x L)
74.8 x 91.4 mm (3 x 3-5/8 in.)
Weight
409 g (14.5 oz.)

What's In The Box

  • Hood (model):ALC-SH178
  • Lens front cap:ALC-F67S
  • Lens rear cap:ALC-R1EM
  • Case:-
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Features

A vast landscape showing a series of mountains. The mountain in the foreground is covered with snow and is in focus

A small wide F2.8 zoom that goes anywhere

With a 16-25 mm range that is ideal for scenery, cityscapes, selfies, travel, and general snapshots, this versatile wide-angle zoom delivers beautiful G Lens rendering and bokeh at all focal lengths in a remarkably compact, lightweight design. You get refined large-aperture wide-angle imaging performance for both stills and movies.

A portrait of a female looking back at this lens in a wide field covered with plume grass. Her hair and the plume grass are shine besides the focus is on her left eye

Superb sharpness at any focal length

An advanced optical design using three ED (Extra low Dispersion) glass elements plus four aspherical elements that include one ED Aspherical glass element delivers high resolution throughout the 16-25 mm zoom range in a remarkably compact lens. Flare, ghosting, and colour bleeding are effectively subdued for clear, detailed rendering.

Learn more about ED Aspherical

A photo of tiny mushroom taken from close and low position. The focus is on the mushroom and there is beautiful melting bokeh on the background

Impressive close-up performance

Maximum magnification is 0.2x (AF)/0.23x (MF) with a minimum focus distance of 0.18 m (0.59ft) (AF)/0.17 m (0.56ft) (MF) at the 16 mm end of the range and 0.24 m (AF) (0.79ft)/0.22 m (0.73ft) (MF) at the 25 mm end of the range for superb wide-angle close-up performance. Wide-angle coverage lets you shoot close while simultaneously capturing the subject's surroundings.

A portrait of a female gazing gently at this lens. She was shot from close angle. However, the photo leaves the viewer with an impression of depth

Deep bokeh makes the subject stand out

A maximum aperture that remains constant at F2.8 throughout the zoom range, state-of-the-art optical design, and an 11-blade aperture unit all work in harmony to deliver smooth, deep G Lens bokeh in a versatile wide-angle zoom lens. ED glass elements reduce colour bleeding for excellent contrast and clarity.

Learn more about Circular Aperture

A diagram showing the actuator employed in the FE 16-25mm F2.8G

AF that maximises body potential

Two specially optimised linear motors and a precision control system acquire focus on any subject with remarkable speed and accuracy. Tracking performance is excellent, easily keeping up even with the Sony's advanced model α9 III body at up to 120 fps. Precise, quiet focus is smoothly acquired and maintained even when shooting high frame rate 4K 120p or FHD 240p movies.

Learn more about Linear Motors

View of camera and lens held in user’s hand, showing the compact lens size

High optical performance in a compact lens

Even though it boasts an advanced optical design that includes four aspherical elements, one of which is ED Aspherical, this lens is only 74.8 mm in diameter by 91.4 mm in length (3 x 3-5/8 inch). Engineering plastics enhance durability while reducing weight to just 409 grams  (14.5 oz), making this a low-stress F2.8 choice for long shooting sessions or low-light situations.

Learn more about ED Aspherical

A usage image of with the FX3 on a gimbal, with the FE 16-25mm F2.8 G lens attached

F2.8 in a mobile zoom is great for movies

Wide angles, F2.8 in an agile zoom that can be handheld, quiet AF, and reduced focus breathing make this lens great for movies. Minimal extension and centre of gravity shift make gimbal or drone mounting easy.

Image of a woman shooting outdoors with a gimbal

More versatile movie features

Movie features provided by the latest α bodies are fully supported. And combined with in-body Active Mode stabilisation it can deliver stable handheld footage at wide angles while walking around. It also supports body breathing compensation and metadata recording.

Split screen: the left-side view of the lens with focus, zoom, and aperture ring highlighted (left); the right-side view of the lens with aperture click switch highlighted (right)

Three control rings in a compact lens

For direct, intuitive creative control when shooting stills and movies, this lens features a full complement of three control rings: focus, zoom, and aperture. The aperture ring click stops can be turned on or off to match the shooting situation.

Learn more about Iris/Aperture Click Switch

The left-side view of the lens barrel with focus hold button and focus mode switch highlighted

Comprehensive control

In addition to three control rings, the FE 16-25mm F2.8 G includes a customisable focus hold button and AF/MF switch. Linear Response MF ensures immediate, intuitive manual focus control. Inner focus makes it easy to use rotatable 67 mm filters, such as variable ND types that are often used when shooting movies.

Learn more about the Focus Hold Button

An illustration of locations of dust and moisture resistant seals on the lens body

Reliable in challenging conditions

A dust and moisture resistant design maximises reliability in challenging outdoor conditions, and the front element features a fluorine coating.

Learn more about Dust and Moisture Resistant Design

An image of the Road to Zero project logo

Environment friendly

Sony's "Road to Zero" project aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through supply chain, production, and packaging. We are also transitioning to non-plastic packaging materials. Plant-based non-woven fabrics are used for product bags.

Learn more about Road to Zero