Interchangeable-lens Cameras

FX6 Cinema Line Full-frame camera

ILME-FX6V

Where To Buy

Support for this model

ILME-FX6V

Support for this model

Where To Buy

Operability and expandability

Operability and expandability for professionals

Lightweight, modular and robust

Despite its amazingly light 0.89-kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button.

Grab and shoot mobility

Ideal for low angle shooting, the smart handle is part of the FX6's modular design. It's easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing.

Magnesium body and frame for high durability with light weight

To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility.

Architecture to prevent thermal shut down

The custom ventilation system and chassis design help to prevent the thermal shut down of shooting⁰ at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan¹, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.

10-bit 4:2:2 recording

Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.

All-Intra encoding available

As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.

[1] All-Intra (All-I) [2] Long GOP [3] Group of Pictures

16-bit RAW SDI output

For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096 x 2160 or 3840 x 2160 data from the image sensor with a choice of 120¹ / 100¹ / 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates².

Shooting modes that match creator workflows

The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly exposed images for post production.

Scene File function allows easy look changes on-site

Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709, 709tone) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production.

Remarkable smart grip and smart handle

Sony's ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours.

Professional connectivity

A wide range of professional interfaces is available including 12G-SDI and HDMI outputs⁰, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5 Gbps (USB 3.2) to support fluid data workflows.

Multi-Interface (MI) Shoe

Sony's Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D22⁰.

Support for four-channel audio input and recording

Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe.

Dual XLR inputs and enhanced audio capability

The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe.

High-definition 2.76 million-dot⁰ flexible LCD panel

The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging.

Quick menu control with touch operation

The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels.

Dual CFexpress Type A-compatible media slots

Dual media slots support CFexpress Type A cards⁰, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported.

Wireless monitoring and remote control

Connecting a smartphone or tablet to the camera with the Monitor and Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.

Learn more about Monitor and Control

Metadata facilitates editing in Catalyst

The FX6 records five types of metadata: image stabilisation, clip flag, camera rotation, breathing compensation and distortion compensation. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or cost-effective Catalyst Prepare software⁰.

[1] Shoot [2] Edit

Built-in electronic Variable ND Filter

The FX6 features Sony's unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there's no need to change filters as lighting conditions change or to maintain your depth of field.

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Built-in electronic Variable ND Filter

The built-in electronic Variable ND Filter can be adjusted from 1/4ND to 1/128ND or set to auto, eliminating physical ND filter changes as lighting conditions change.

Support for four-channel audio input and recording

Four-channel audio input allows capture of external microphones, the built-in microphone, and UWP wireless microphones or XLR audio adaptors with the MI Shoe.

Dual CFexpress Type A-compatible media slots

Dual media slots support CFexpress Type A cards for next-generation filmmaking speed, supporting simultaneous, relay, interval and proxy modes.

Professional connectivity

Pro interfaces include 12G-SDI, HDMI*, TC for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) for fluid data workflows.

* Selectable resolutions are limited depending on frame rate and resolution.

Smart grip

Shoot comfortably for long periods with this control, with zoom, record, and assignable control buttons, and a dial suitable for iris control.

Dual XLR inputs

There are two XLR connectors on the handle for external professional microphones, plus Sony’s MI Shoe for UWP series wireless microphones.

Smart Handle

The Smart Handle allows comfortable low-angle shooting, and carries a variety of connectors for external microphones, an MI Shoe, assignable buttons, selector and dial.

Product images of Left side and Right side

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