The VISION-S Prototype is a glimpse into the future of mobility, encompassing the evolution of safety, comfort, entertainment and adaptability. A total of 33 sensors including CMOS image sensors and ToF sensors are embedded within the vehicle, in order to detect and recognize people and objects inside and outside the car, and provide highly advanced driving support. Our "360 Reality Audio" provides a deep and immersive audio experience through speakers built into each seat to encapsulates passengers in sound. The front seats face a panoramic screen on which rich and diverse content can be enjoyed through an intuitive user interface. We designed this car with an OVAL concept to symbolize the experience of full 360-degree immersion in sensing technologies and entertainment. The VISION-S Prototype wraps riders in layers of oval structures. First is the veil of the actual interior, providing a spacious "cocoon" for riders to inhabit. The next layer outward comprises the high-performance sensors that monitor the car's periphery with full, 360-degree coverage. After that is a more intangible "oval"—society itself. The idea revolves around a constant link between cars and the surrounding community, one where information and entertainment flow freely from the outside world into the in-vehicle environment. The rider is the center of overlapping oval structures, radiating outward in layers and shapes and contexts that "wrap people" in a warm embrace.

Discover Sony's 8K LED TV with a high-resolution processor that delivers the beauty of 8K pictures, combined with a new and original sound system that vibrates the bezel itself to act as a flat speaker. Hear sound coming from the right place on the scene to add a new level of audio depth unimaginable from the TV's slim design. To further enhance the immersive experience, we removed any and all screen elements that may distract your eyes. We conceived of the bezel as having two parts—inside and outside tracks, so to speak—and gave them separate colors and surface treatments. By then bringing the inside track into closer chromatic harmony with the screen, the design subdues the visual presence of everything around the screen except for the thin line of the outside track. The stands are also much smaller than previous generations and placed at the two ends of the screen to avoid reflections. The line bordering the screen extends through to the stands, creating a framing continuity that helps guide the viewer's gaze to the screen.